One evening, Ivor and I went to watch his little daughter perform at a school music evening. It was one of those classic parental milestones, but the physics of the event were spectacularly skewed.
When it was her turn, she appeared on stage looking tiny and delicate—followed by an adult lugging a cello that was quite clearly three times her size. It looked less like a musical instrument and more like a large wooden wardrobe she was expected to wrestle into submission.
What followed was a masterclass in slow-motion preparation. It took a solid twenty minutes of intense focus just to get the logistics right: the chair was adjusted, the music stand was maneuvered, the endpin was stabbed into the floor, and she spent an eternity shifting into the "exactly right" anatomical position to accommodate the giant mahogany beast.
Finally, after the Herculean setup was complete, she took a breath, gave what seemed like exactly three deliberate strokes of the bow, and... it was over. The performance lasted about thirty seconds. The ratio of "preparation" to "actual music" was mathematically absurd.
But she was absolutely adorable, and despite the comical brevity of the piece, Ivor was beaming. He was the picture of the proud father, unmoved by the fact that the setup had taken forty times longer than the symphony.
Watching Ivor that night, I realized that pride has nothing to do with the length of the performance. It’s about the twenty minutes of watching someone you love negotiate a truce with a giant wooden beast for the sake of three perfect notes.
