}
Showing posts with label disgusting. Show all posts
Showing posts with label disgusting. Show all posts

April 05, 2026

Memorable moments: The Jaisalmer spit-shine

In 1997, Ally and I were backpacking through Rajasthan, India. We found ourselves in Jaisalmer, the "Golden City," and signed up for what we imagined would be a majestic three-day camel trek through the Thar Desert.

The reality was a bit more abrasive. Our camels were incredibly bad-tempered, and the seating was a masterclass in discomfort. However, the desert scenery was spectacular, and as the sun began to set on our first night, the vast, shifting dunes almost made the saddle-soreness worth it.

Our expedition leader, a local man of practical habits, began preparing dinner over the campfire. As he was plating up, he noticed one of the metal dishes wasn't quite up to his standards. With a loud, guttural clear of his throat, he delivered a hefty spray of spit directly onto the plate, then gave it a vigorous buffing with his filthy shirt sleeve.

We watched in paralyzed horror as he piled our food onto the "cleaned" surface. But, being young, exhausted, and absolutely starving, we ate every last bite.

The consequences arrived with the morning sun. As we set off the next day, Ally’s stomach decided to stage a full-scale revolt. She signaled that she had to get off, and the camel performed its awkward, jarring "press-up" maneuver to kneel in the sand. Ally dismounted, threw up, and climbed back on. A few hundred yards later, the process repeated. Press-up, dismount, vomit, remount.

Eventually, the sheer physical labor of the camel’s gymnastics became too much to bear. Ally simply said, "Fuck it," and began projectile vomiting directly from the height of the camel’s hump. I have never seen her so sick. We eventually limped back to the Jaisalmer Fort, where she spent the next several days in a darkened room, recovering from the most scenic—and hygienic—disaster of our lives.

April 05, 2026

Memorable moments: The epic spray

I have always struggled with seasickness. Over the years, two specific voyages have etched themselves into my memory—not for the scenery, but for the sheer, green-tinged misery of the experience.

The first was on my eighteenth birthday in Mauritius. To celebrate the milestone, our family chartered a yacht for a cruise. It was a choppy, restless day, and as the boat pitched, my stomach began its own rhythmic descent into darkness. I reached a point of such profound nausea that I actually had fantasies of diving overboard just to end the motion. I desperately wanted to be sick, hoping for that legendary moment of relief, but my body refused to cooperate.

I was sitting doubled over, staring at the deck in a state of absolute "suffer-fest," when a well-meaning hand thrust a large plate directly under my nose. It was piled high with pungent tuna sandwiches and hard-boiled eggs. That was the breaking point. The smell was the final sensory assault I couldn't survive. I scrambled for the back of the ship and delivered an epic, birthday-defining spray into the Indian Ocean.

Ten years later, I found myself on a ferry from Israel to Egypt. The Mediterranean was in a foul mood, and the ship was tossing violently. This time, I wasn't alone in my suffering; the entire deck was a gallery of green faces. I retreated to the stern to reenact my eighteenth birthday, joining a line of fellow passengers who were all projectile vomiting over the railing.

What sticks in my mind most vividly, however, isn't the sickness—it’s the gulls. An entire flock of them hovered in our wake, shrieking with delight. They weren't just following us; they were diving into the sea to feast on our collective misery. It was a sobering reminder of the natural order: while we were experiencing the lowest point of our human existence, the seagulls were having the best lunch of their lives.

April 03, 2026

Memorable moments: The cockroach koan

In Sydney, the cockroaches aren't just pests; they are armored invaders. They are enormous, incredibly fast, and—for me—a source of primal horror. They seem to possess a sentient malevolence that defies the usual "it's more scared of you" logic.

One afternoon, I found a particularly large specimen lying belly-up on the kitchen floor. It was perfectly still, its legs stiff and its antennae frozen. It was stone-dead. I saw this as a golden opportunity. I decided to use the power of mindfulness to finally conquer my phobia using this harmless, discarded shell of a creature. I would be the "aware space" for my fear.

I hesitantly scooped the carcass up and placed it on my upturned palm. I stood there, breathing deeply, feeling the tension drain out of my shoulders. I felt the dry, brittle sensation of the legs against my skin—a mere physical sensation, nothing more. I focused on the horror, welcoming it, observing it without judgment. Breathing in, breathing out. Gradually, a great, meditative calm washed over me. I had done it. I had transcended the insect.

And then the sucker moved.

It didn't just twitch; it wriggled violently, its prehistoric legs suddenly churning against my skin with a frantic, tickling energy. The "corpse" was suddenly very much alive and clearly offended by my spiritual experiment.

The "aware space" collapsed instantly. Like a scalded cat, I let out a blood-curdling shriek. My hand whipped upward with the force of a spring-loaded trap, launching the creature into the stratosphere. My journey into Zen ended in a frantic, undignified dance across the kitchen tiles.

People say mindfulness can change your relationship with your fears. They're right. Before that day, I was merely horrified by cockroaches; ever since, my horror has been massively compounded by the knowledge that they are capable of playing dead just to mock my progress toward enlightenment.

March 26, 2026

Memorable moments: The bitter truth

On our way back to Cape Town after a weekend at the Breede River, Russell and I pulled over at a picturesque olive farm. As we strolled toward the farm shop, Russell stopped by a heavily laden tree, reached out, and plucked a plump, dark olive.

He popped it into his mouth and began to chew with a look of pure, Mediterranean relish. "Ooh," he hummed, nodding with approval, "the olives here are absolutely delicious. You have to try one."

I didn't hesitate. I reached for the nearest branch, picked a beautiful-looking specimen, and bit down hard.

The taste was instantaneous and catastrophic. It wasn't just "bitter"—it was a violent, astringent assault on my taste buds that felt like chewing on a piece of toxic chalk soaked in battery acid. I didn't just spit it out; I launched it. The half-masticated olive flew a good five metres across the grove in a projectile arc of pure regret.

Russell immediately erupted in giggles. He leaned forward, opened his mouth, and revealed his own olive—completely untouched and tucked safely under his tongue.

"Ha ha! Got you!" he crowed, finally letting the prop fall to the grass.

I stood there with a mouth that felt like it had been scrubbed with sandpaper, watching him double over with laughter. I’ve since learned that olives must be cured in brine or lye for months before they are remotely edible; unfortunately, I learned it the Russell way.

March 25, 2026

Memorable moments: The Franschhoek flush

On a road trip through the Cape with my friend Chrisel, we stopped to visit her aunt, Tannie Tia. She lived in Franschhoek and was the personification of "Old World" Afrikaans elegance—posh, sweet, and surrounded by silver tea services and smartly dressed help.

The atmosphere in the drawing room was hushed and refined, which was a problem, because my stomach was currently staging a violent protest. Chrisel and I had indulged in a massive Indian feast the night before, and the spices were now demanding an immediate exit.

I excused myself and retreated down the hall to the bathroom, where I proceeded to deposit what felt like a biological weapon. I flushed.

Nothing happened.

I waited, heart hammering, and flushed again. Then again. The water rose, the contents swirled, but the exit remained stubbornly closed. Panic, cold and sharp, set in. I looked around the pristine room for a solution. I spotted a small bin, emptied its contents into the sink, and realized the bathtub was my only hope. I filled the bin with water from the bath and began a desperate, manual "power-flush," praying to every deity I could name.

After several frantic buckets and a near-flooding of the floor, the evidence finally vanished. I was sweating, my trousers were suspiciously damp from the splashing, and I’d been gone for what felt like forty-five minutes.

I walked back into the drawing room, trying to look "refined" while frantically rubbing my trousers with my hands to hide the water marks. Tannie Tia looked up with genuine concern.

"Graeme, are you all right? You were gone so long."

"Yes, Tannie," I squeaked. "All good. Just... admiring the tile work."

"Oh, thank goodness!" she sighed with relief. "I was worried you’d gone into the other bathroom. That one is giving us terrible trouble!"

I sat back down, took a sip of my tea, and realized that in the world of high-society etiquette, the difference between a "triumph" and "social exile" is exactly three buckets of bathwater.

March 25, 2026

Memorable moments: Rot and romance

My neighbor Helen was stunning, and I’ll admit, I was eager to impress. During a conversation over the fence, she mentioned she loved coconuts. Naturally, I claimed to be a lifelong devotee of the fruit myself.

A few days later, she appeared with a gift. "I bought you a coconut!" she chirped. We stood outside her flat as she excitedly bored a hole into the shell, popped in a straw, and handed it to me. She stood back, watching with a look of pure, expectant joy, waiting to witness my tropical bliss.

I took the first sip.

The "cream" was... unique. It tasted distinctly "off," with a metallic, slightly fermented tang that grew more aggressive with every swallow. But Helen looked so happy—so proud of her selection—that I couldn't bring myself to break the spell. I channeled every ounce of my inner composure and drained the entire thing, hiding my mounting nausea behind a polite smile.

"Now," she said, her eyes gleaming, "let’s eat the flesh together!"

She grabbed a nearby stone and cracked it open on the pavement. We both leaned in.

The interior was a horror show. Instead of pristine white meat, the inside was a void of jet-black, fuzzy rot. It looked less like food and more like a biological experiment gone wrong.

Helen recoiled, then turned to me with a look of genuine alarm. "Graeme! It’s putrid! Why on earth didn't you say anything!?"

I just stood there, my stomach currently hosting a small colony of ancient mold, realizing that while I’d set out to be a "smooth" neighbor, I’d actually just become the world’s most polite victim of food poisoning.

May 10, 2006

Question: Ladies, where does the red in your lipstick come from?



Answer: From the blood of squished bugs (yes, seriously!)


Five steps to ruby red lips

Step 1: Find a cactus in the Colca Canyon in Peru (not hard, they are everywhere)


Step 2: Chances are it will have parasitic bugs on it (most of them do)


Step 3: Carefully extract the bugs from the cactus (make sure you do not prick yourself)


Step 4: Squish the bugs. (You won't believe the copious amounts of bright red gunge you will get)


Step 5: Apply to the lips for a sexy, glossy finish. (Men will be impressed and want to kiss you immediately - or maybe not)


Yes, these bugs are the primary export of the Colca Canyon, sold by the locals to the cosmetic industry (by whom they are much sought) for use in lipstick. The locals painstakingly pick them off the cacti every 3 months. A kilogram of bugs (that a whole lot of bug) gets them $ 50.

Revlon probably wouldn't want you to know (or believe this) but it is true nevertheless!

Oh, and the bug juice is also used by western factories as a colourant for some yoghurt, mainly strawberry and black cherry (which happen to be my favourite flavours). Fancy that, I have been pouring bug blood onto my cereal all these years.

I am just suprised that Hollywood "splat" directors have not discovered it yet for their special effects. Or maybe they have. I am sure Tarantino would relish the idea of covering his actors in insect goo if it added to the realism of his scenes.

November 12, 1997

Memorable moments: The Rajasthani quicksand

In 1997, I was on a grueling overnight bus journey through the desert of Rajasthan. In the middle of the night, the bus groaned to a halt for a toilet break. Being rural India, there were no facilities; the passengers simply vanished into the darkness to find their own "private" spots.

I decided to walk about fifty metres away from the road to ensure total solitude. I found a promising-looking patch of ground, stepped off the verge, and promptly sank thigh-deep into a thick, sucking sludge.

As I struggled to extricate my leg, an unimaginably foul stench hit me. I realized with a jolt of pure horror that this wasn't mud—this was the desert, after all. I had just stepped into a communal, open-air cesspit. I was thigh-deep in human excrement.

Desperate and gagging, I spotted a large open barrel of water nearby. I spent ten frantic minutes scrubbing the filth off my skin, only to be joined by a local gentleman who walked up and calmly began washing his backside in the same water. It was then I realized I was performing my emergency surgery in the local "bottom-washing" station.

With my pride in tatters and my trousers and shoes beyond saving, I threw them into the desert night. My own luggage was buried at the back of the bus, but Ally’s bag was within reach.

I spent the remainder of that long, dusty journey barefoot, smelling faintly of the "communal barrel," and wearing a pair of Ally’s very skimpy, very tight shorts. The bus driver didn't ask any questions about my new wardrobe, presumably because the smell was enough of an explanation.

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